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Gradus — For Teachers

Track Every Student's Progress

From first interval to full orchestration — a complete picture of where each student is in the method, what they've submitted, and where they need attention. Below: a preview of the teacher dashboard with a sample class of eight.

8
Students
57%
Avg. Progress
4
Active Today
3
Pending Reviews
E
Eleanor W.Stage IIReview pending
Step 14 — Four-Voice Harmony
Last active: 2 hours ago
14-day streak
13/38 steps
J
James T.Stage I
Step 8 — First Species Counterpoint
Last active: Yesterday
3-day streak
7/38 steps
S
Sofia M.Stage IIIReview pending
Step 22 — Modal Mixture
Last active: 3 hours ago
28-day streak
21/38 steps
H
Henry K.Stage I
Step 10 — Second Species
Last active: 3 days ago
9/38 steps
I
Isabelle R.Stage II
Step 17 — Musical Form
Last active: Today
7-day streak
16/38 steps
T
Thomas B.Day One
Step 2 — Intervals
Last active: 1 week ago
1/38 steps
N
Natalie C.Stage IVReview pending
Step 29 — Impressionism
Last active: 1 hour ago
42-day streak
28/38 steps
O
Oliver P.Stage II
Step 18 — Modulation
Last active: Yesterday
5-day streak
17/38 steps

Built for Private Teachers

Your students, your curriculum, your pace.

Gradus works alongside private lessons — your students work through the method between sessions, and you see exactly where they are. Assign specific steps, review compositions, and let Maestro give immediate feedback on the exercises you don't have time to mark by hand. Every lesson links to the same methods Boulanger and Nadia Boulanger used with their students.

Progress Tracking

See every student's position in the ten-stage curriculum at a glance. Track streaks, lesson completions, and time spent.

Composition Review

Students submit compositions directly in the sketchbook. You receive them here with their notes and can leave structured written feedback.

Maestro as TA

For exercises you'd normally need to mark by hand — species counterpoint, voice leading, figured bass — Maestro provides immediate feedback. You review the cases that need your eye.

Historical Method

The curriculum follows the same sequence Boulanger used in Paris — counterpoint first, then harmony, then form. Your students learn the method that trained the last century of composers.

Follow the Journey

Stay Close to the Method

New lessons, score studies, and curriculum updates — sent directly to serious students of the craft.

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